| 1 | { |
| 2 | "version": 1, |
| 3 | "updated": "2026-05-24", |
| 4 | "stats": { |
| 5 | "examples": 21, |
| 6 | "pages": 280, |
| 7 | "templates": 21 |
| 8 | }, |
| 9 | "projects": [ |
| 10 | { |
| 11 | "id": "ppt169_attention_is_all_you_need", |
| 12 | "title": "Attention Is All You Need", |
| 13 | "description": "Transformer 原论文深读 — 学术技术蓝图风，结构图 + 表格 + 公式 + 自定义动画旁白版导出", |
| 14 | "icon": "🧠", |
| 15 | "color": "#1A365D", |
| 16 | "style": "technical", |
| 17 | "styleName": "Academic Blueprint", |
| 18 | "desc": "Paper-reading deck for Vaswani et al. 2017, Attention Is All You Need. The example combines blueprint-style Transformer diagrams, native editable tables and formula slides, per-slide speaker notes, object-level animation configuration, and narrated PPTX export.", |
| 19 | "tags": [ |
| 20 | "Paper Reading", |
| 21 | "Transformer", |
| 22 | "Technical Blueprint" |
| 23 | ], |
| 24 | "isNew": true, |
| 25 | "folder": "ppt169_attention_is_all_you_need/svg_final", |
| 26 | "cover": "01_cover.svg", |
| 27 | "slides": [ |
| 28 | { |
| 29 | "file": "01_cover.svg", |
| 30 | "title": "cover", |
| 31 | "desc": "Attention Is All You Need" |
| 32 | }, |
| 33 | { |
| 34 | "file": "02_why_it_matters.svg", |
| 35 | "title": "why it matters", |
| 36 | "desc": "A simpler model, better results, less training" |
| 37 | }, |
| 38 | { |
| 39 | "file": "03_sequence_evolution.svg", |
| 40 | "title": "sequence evolution", |
| 41 | "desc": "From recurrent chains to attention mesh" |
| 42 | }, |
| 43 | { |
| 44 | "file": "04_rnn_cnn_limits.svg", |
| 45 | "title": "rnn cnn limits", |
| 46 | "desc": "Sequential bottleneck, path length, memory ceiling" |
| 47 | }, |
| 48 | { |
| 49 | "file": "05_architecture_overview.svg", |
| 50 | "title": "architecture overview", |
| 51 | "desc": "Figure 1 Transformer architecture" |
| 52 | }, |
| 53 | { |
| 54 | "file": "06_encoder_decoder.svg", |
| 55 | "title": "encoder decoder", |
| 56 | "desc": "Encoder stack vs decoder stack" |
| 57 | }, |
| 58 | { |
| 59 | "file": "07_scaled_dot_product.svg", |
| 60 | "title": "scaled dot-product", |
| 61 | "desc": "The attention equation" |
| 62 | }, |
| 63 | { |
| 64 | "file": "08_multi_head_attention.svg", |
| 65 | "title": "multi-head attention", |
| 66 | "desc": "Eight parallel attention heads" |
| 67 | }, |
| 68 | { |
| 69 | "file": "09_three_uses.svg", |
| 70 | "title": "three uses", |
| 71 | "desc": "Encoder self, decoder masked, cross attention" |
| 72 | }, |
| 73 | { |
| 74 | "file": "10_ffn_residual_layernorm.svg", |
| 75 | "title": "ffn residual layernorm", |
| 76 | "desc": "The supporting layer components" |
| 77 | }, |
| 78 | { |
| 79 | "file": "11_positional_encoding.svg", |
| 80 | "title": "positional encoding", |
| 81 | "desc": "Sinusoidal order injection" |
| 82 | }, |
| 83 | { |
| 84 | "file": "12_complexity_table.svg", |
| 85 | "title": "complexity table", |
| 86 | "desc": "Why constant path length matters" |
| 87 | }, |
| 88 | { |
| 89 | "file": "13_training_setup.svg", |
| 90 | "title": "training setup", |
| 91 | "desc": "Hardware, schedule, optimizer, regularization" |
| 92 | }, |
| 93 | { |
| 94 | "file": "14_results.svg", |
| 95 | "title": "results", |
| 96 | "desc": "WMT14 BLEU and training cost" |
| 97 | }, |
| 98 | { |
| 99 | "file": "15_ablations.svg", |
| 100 | "title": "ablations", |
| 101 | "desc": "Five takeaways from the variation study" |
| 102 | }, |
| 103 | { |
| 104 | "file": "16_conclusion.svg", |
| 105 | "title": "conclusion", |
| 106 | "desc": "One paper, a generation of models" |
| 107 | } |
| 108 | ] |
| 109 | }, |
| 110 | { |
| 111 | "id": "ppt169_lora_hu_2021", |
| 112 | "title": "LoRA Hu 2021", |
| 113 | "description": "LoRA 论文解读 — 冷静技术蓝图风，结构图 + 表格 + KPI 卡片 + 自定义动画旁白版导出", |
| 114 | "icon": "🧠", |
| 115 | "color": "#1B3A5C", |
| 116 | "style": "technical", |
| 117 | "styleName": "Blueprint Technical", |
| 118 | "desc": "Technical reading deck for Hu et al. 2021, LoRA: Low-Rank Adaptation of Large Language Models. The example combines blueprint-style AI diagrams, native editable charts and tables, per-slide speaker notes, object-level animation configuration, and a narrated PPTX export.", |
| 119 | "tags": [ |
| 120 | "Paper Reading", |
| 121 | "LLM", |
| 122 | "Technical Blueprint" |
| 123 | ], |
| 124 | "isNew": true, |
| 125 | "folder": "ppt169_lora_hu_2021/svg_final", |
| 126 | "cover": "01_cover.svg", |
| 127 | "slides": [ |
| 128 | { |
| 129 | "file": "01_cover.svg", |
| 130 | "title": "cover", |
| 131 | "desc": "LoRA: 大模型的低秩适配" |
| 132 | }, |
| 133 | { |
| 134 | "file": "02_agenda.svg", |
| 135 | "title": "agenda", |
| 136 | "desc": "本次讲什么" |
| 137 | }, |
| 138 | { |
| 139 | "file": "03_problem.svg", |
| 140 | "title": "problem", |
| 141 | "desc": "模型越大, 全量微调越不可行" |
| 142 | }, |
| 143 | { |
| 144 | "file": "04_limitations.svg", |
| 145 | "title": "limitations", |
| 146 | "desc": "为什么现有高效适配方法不够好" |
| 147 | }, |
| 148 | { |
| 149 | "file": "05_insight.svg", |
| 150 | "title": "low-rank insight", |
| 151 | "desc": "权重更新其实低秩" |
| 152 | }, |
| 153 | { |
| 154 | "file": "06_method.svg", |
| 155 | "title": "method", |
| 156 | "desc": "冻结 W0, 注入低秩 BA" |
| 157 | }, |
| 158 | { |
| 159 | "file": "07_implementation.svg", |
| 160 | "title": "implementation", |
| 161 | "desc": "一个常数 alpha, 一次部署合并" |
| 162 | }, |
| 163 | { |
| 164 | "file": "08_transformer.svg", |
| 165 | "title": "transformer", |
| 166 | "desc": "只适配注意力权重" |
| 167 | }, |
| 168 | { |
| 169 | "file": "09_advantages.svg", |
| 170 | "title": "advantages", |
| 171 | "desc": "LoRA 的四个关键优势" |
| 172 | }, |
| 173 | { |
| 174 | "file": "10_latency.svg", |
| 175 | "title": "latency", |
| 176 | "desc": "Adapter 增延迟, LoRA 不增" |
| 177 | }, |
| 178 | { |
| 179 | "file": "11_setup.svg", |
| 180 | "title": "setup", |
| 181 | "desc": "覆盖 NLU 到 NLG 的四类模型" |
| 182 | }, |
| 183 | { |
| 184 | "file": "12_glue.svg", |
| 185 | "title": "glue", |
| 186 | "desc": "更少参数, 持平或更优" |
| 187 | }, |
| 188 | { |
| 189 | "file": "13_gpt3.svg", |
| 190 | "title": "gpt-3", |
| 191 | "desc": "在 175B 尺度上仍然成立" |
| 192 | }, |
| 193 | { |
| 194 | "file": "14_understanding.svg", |
| 195 | "title": "understanding", |
| 196 | "desc": "该适配谁? 秩要多大?" |
| 197 | }, |
| 198 | { |
| 199 | "file": "15_conclusion.svg", |
| 200 | "title": "conclusion", |
| 201 | "desc": "结论与影响" |
| 202 | } |
| 203 | ] |
| 204 | }, |
| 205 | { |
| 206 | "id": "ppt169_brutalist_ai_newspaper_2026", |
| 207 | "title": "Brutalist AI Newspaper 2026", |
| 208 | "description": "AI 行业 2026 年报 — Brutalist 报章风格，满版小字 + 数据网格 + halftone 黑白图 + 单点红", |
| 209 | "icon": "📰", |
| 210 | "color": "#C8102E", |
| 211 | "style": "editorial", |
| 212 | "styleName": "Brutalist Newspaper", |
| 213 | "desc": "Year-end report on the AI industry in Brutalist newspaper style — dense small type, irregular column grids, halftone monochrome photos with single-spot red emphasis. Built as the roadmap §P0-2 capability-showcase deck stressing text-position fidelity and cross-page consistency.", |
| 214 | "tags": [ |
| 215 | "Brutalist", |
| 216 | "Newspaper", |
| 217 | "Annual Report" |
| 218 | ], |
| 219 | "isNew": true, |
| 220 | "folder": "ppt169_brutalist_ai_newspaper_2026/svg_final", |
| 221 | "cover": "01_cover.svg", |
| 222 | "slides": [ |
| 223 | { |
| 224 | "file": "01_cover.svg", |
| 225 | "title": "cover", |
| 226 | "desc": "cover" |
| 227 | }, |
| 228 | { |
| 229 | "file": "02_issue_at_a_glance.svg", |
| 230 | "title": "issue at a glance", |
| 231 | "desc": "issue at a glance" |
| 232 | }, |
| 233 | { |
| 234 | "file": "03_revenue_league.svg", |
| 235 | "title": "revenue league", |
| 236 | "desc": "revenue league" |
| 237 | }, |
| 238 | { |
| 239 | "file": "04_arpu_divide.svg", |
| 240 | "title": "arpu divide", |
| 241 | "desc": "arpu divide" |
| 242 | }, |
| 243 | { |
| 244 | "file": "05_training_cost.svg", |
| 245 | "title": "training cost", |
| 246 | "desc": "training cost" |
| 247 | }, |
| 248 | { |
| 249 | "file": "06_inference_watts.svg", |
| 250 | "title": "inference watts", |
| 251 | "desc": "inference watts" |
| 252 | }, |
| 253 | { |
| 254 | "file": "07_benchmarks_saturated.svg", |
| 255 | "title": "benchmarks saturated", |
| 256 | "desc": "benchmarks saturated" |
| 257 | }, |
| 258 | { |
| 259 | "file": "08_three_rulebooks.svg", |
| 260 | "title": "three rulebooks", |
| 261 | "desc": "three rulebooks" |
| 262 | }, |
| 263 | { |
| 264 | "file": "09_timeline.svg", |
| 265 | "title": "timeline", |
| 266 | "desc": "timeline" |
| 267 | }, |
| 268 | { |
| 269 | "file": "10_closing_read.svg", |
| 270 | "title": "closing read", |
| 271 | "desc": "closing read" |
| 272 | } |
| 273 | ] |
| 274 | }, |
| 275 | { |
| 276 | "id": "ppt169_pritzker_2026", |
| 277 | "title": "Pritzker 2026", |
| 278 | "description": "2026 普利兹克建筑奖深度阅读 — 建筑摄影主导 + 编辑设计", |
| 279 | "icon": "🏛️", |
| 280 | "color": "#594A3C", |
| 281 | "style": "editorial", |
| 282 | "styleName": "Architecture Editorial", |
| 283 | "desc": "Long-read on the 2026 Pritzker laureate. Photography-forward editorial layout designed for reading clubs, architecture courses, and long-form social posts.", |
| 284 | "tags": [ |
| 285 | "Architecture", |
| 286 | "Editorial", |
| 287 | "Reading Club" |
| 288 | ], |
| 289 | "isNew": true, |
| 290 | "folder": "ppt169_pritzker_2026/svg_final", |
| 291 | "cover": "01_cover.svg", |
| 292 | "slides": [ |
| 293 | { |
| 294 | "file": "01_cover.svg", |
| 295 | "title": "cover", |
| 296 | "desc": "cover" |
| 297 | }, |
| 298 | { |
| 299 | "file": "02_overview.svg", |
| 300 | "title": "overview", |
| 301 | "desc": "overview" |
| 302 | }, |
| 303 | { |
| 304 | "file": "03_ando.svg", |
| 305 | "title": "ando", |
| 306 | "desc": "ando" |
| 307 | }, |
| 308 | { |
| 309 | "file": "04_chipperfield.svg", |
| 310 | "title": "chipperfield", |
| 311 | "desc": "chipperfield" |
| 312 | }, |
| 313 | { |
| 314 | "file": "05_zaha.svg", |
| 315 | "title": "zaha", |
| 316 | "desc": "zaha" |
| 317 | }, |
| 318 | { |
| 319 | "file": "06_foster.svg", |
| 320 | "title": "foster", |
| 321 | "desc": "foster" |
| 322 | }, |
| 323 | { |
| 324 | "file": "07_oma_sanaa.svg", |
| 325 | "title": "oma sanaa", |
| 326 | "desc": "oma sanaa" |
| 327 | }, |
| 328 | { |
| 329 | "file": "08_zumthor.svg", |
| 330 | "title": "zumthor", |
| 331 | "desc": "zumthor" |
| 332 | }, |
| 333 | { |
| 334 | "file": "09_gehry.svg", |
| 335 | "title": "gehry", |
| 336 | "desc": "gehry" |
| 337 | }, |
| 338 | { |
| 339 | "file": "10_kere.svg", |
| 340 | "title": "kere", |
| 341 | "desc": "kere" |
| 342 | }, |
| 343 | { |
| 344 | "file": "11_epilogue.svg", |
| 345 | "title": "epilogue", |
| 346 | "desc": "epilogue" |
| 347 | } |
| 348 | ] |
| 349 | }, |
| 350 | { |
| 351 | "id": "ppt169_global_ai_capital_2026", |
| 352 | "title": "Global AI Capital 2026", |
| 353 | "description": "全球 AI 资本流向年度观察 — Bloomberg / Economist 信息图风", |
| 354 | "icon": "💰", |
| 355 | "color": "#1F3A5F", |
| 356 | "style": "consulting", |
| 357 | "styleName": "Bloomberg Editorial", |
| 358 | "desc": "Year-in-review on global AI capital flows in the dense data-journalism style of Bloomberg and The Economist — multi-column layouts, micro-charts, editorial sidebars.", |
| 359 | "tags": [ |
| 360 | "Data Journalism", |
| 361 | "Finance", |
| 362 | "Annual Review" |
| 363 | ], |
| 364 | "isNew": true, |
| 365 | "folder": "ppt169_global_ai_capital_2026/svg_final", |
| 366 | "cover": "01_cover.svg", |
| 367 | "slides": [ |
| 368 | { |
| 369 | "file": "01_cover.svg", |
| 370 | "title": "cover", |
| 371 | "desc": "cover" |
| 372 | }, |
| 373 | { |
| 374 | "file": "02_editor_note.svg", |
| 375 | "title": "editor note", |
| 376 | "desc": "editor note" |
| 377 | }, |
| 378 | { |
| 379 | "file": "03_contents.svg", |
| 380 | "title": "contents", |
| 381 | "desc": "contents" |
| 382 | }, |
| 383 | { |
| 384 | "file": "04_q1_vc_landscape.svg", |
| 385 | "title": "q1 vc landscape", |
| 386 | "desc": "q1 vc landscape" |
| 387 | }, |
| 388 | { |
| 389 | "file": "05_hyperscaler_capex.svg", |
| 390 | "title": "hyperscaler capex", |
| 391 | "desc": "hyperscaler capex" |
| 392 | }, |
| 393 | { |
| 394 | "file": "06_big_three_valuation_leap.svg", |
| 395 | "title": "big three valuation leap", |
| 396 | "desc": "big three valuation leap" |
| 397 | }, |
| 398 | { |
| 399 | "file": "07_valuation_vs_revenue_bubble.svg", |
| 400 | "title": "valuation vs revenue bubble", |
| 401 | "desc": "valuation vs revenue bubble" |
| 402 | }, |
| 403 | { |
| 404 | "file": "08_openai_investor_donut.svg", |
| 405 | "title": "openai investor donut", |
| 406 | "desc": "openai investor donut" |
| 407 | }, |
| 408 | { |
| 409 | "file": "09_big_three_comparison.svg", |
| 410 | "title": "big three comparison", |
| 411 | "desc": "big three comparison" |
| 412 | }, |
| 413 | { |
| 414 | "file": "10_china_five_ranking.svg", |
| 415 | "title": "china five ranking", |
| 416 | "desc": "china five ranking" |
| 417 | }, |
| 418 | { |
| 419 | "file": "11_us_china_dual_track.svg", |
| 420 | "title": "us china dual track", |
| 421 | "desc": "us china dual track" |
| 422 | }, |
| 423 | { |
| 424 | "file": "12_second_tier.svg", |
| 425 | "title": "second tier", |
| 426 | "desc": "second tier" |
| 427 | }, |
| 428 | { |
| 429 | "file": "13_chapter_nvidia.svg", |
| 430 | "title": "chapter nvidia", |
| 431 | "desc": "chapter nvidia" |
| 432 | }, |
| 433 | { |
| 434 | "file": "14_nvidia_sankey.svg", |
| 435 | "title": "nvidia sankey", |
| 436 | "desc": "nvidia sankey" |
| 437 | }, |
| 438 | { |
| 439 | "file": "15_nvidia_pareto.svg", |
| 440 | "title": "nvidia pareto", |
| 441 | "desc": "nvidia pareto" |
| 442 | }, |
| 443 | { |
| 444 | "file": "16_stargate_hub.svg", |
| 445 | "title": "stargate hub", |
| 446 | "desc": "stargate hub" |
| 447 | }, |
| 448 | { |
| 449 | "file": "17_chapter_bubble.svg", |
| 450 | "title": "chapter bubble", |
| 451 | "desc": "chapter bubble" |
| 452 | }, |
| 453 | { |
| 454 | "file": "18_capex_vs_revenue.svg", |
| 455 | "title": "capex vs revenue", |
| 456 | "desc": "capex vs revenue" |
| 457 | }, |
| 458 | { |
| 459 | "file": "19_four_risks_quadrant.svg", |
| 460 | "title": "four risks quadrant", |
| 461 | "desc": "four risks quadrant" |
| 462 | }, |
| 463 | { |
| 464 | "file": "20_closing.svg", |
| 465 | "title": "closing", |
| 466 | "desc": "closing" |
| 467 | } |
| 468 | ] |
| 469 | }, |
| 470 | { |
| 471 | "id": "ppt169_swiss_grid_systems", |
| 472 | "title": "Swiss Grid Systems", |
| 473 | "description": "瑞士国际主义设计史 lecture — Müller-Brockmann 致敬", |
| 474 | "icon": "🅢", |
| 475 | "color": "#C8102E", |
| 476 | "style": "creative", |
| 477 | "styleName": "Swiss Typographic", |
| 478 | "desc": "Design-history lecture on Swiss International Typographic Style — strict grid, Helvetica, asymmetric balance, two-color print sensibility; an homage to Müller-Brockmann.", |
| 479 | "tags": [ |
| 480 | "Swiss Style", |
| 481 | "Typography", |
| 482 | "Design History" |
| 483 | ], |
| 484 | "isNew": true, |
| 485 | "folder": "ppt169_swiss_grid_systems/svg_final", |
| 486 | "cover": "01_cover.svg", |
| 487 | "slides": [ |
| 488 | { |
| 489 | "file": "01_cover.svg", |
| 490 | "title": "cover", |
| 491 | "desc": "cover" |
| 492 | }, |
| 493 | { |
| 494 | "file": "02_quote.svg", |
| 495 | "title": "quote", |
| 496 | "desc": "quote" |
| 497 | }, |
| 498 | { |
| 499 | "file": "03_origin.svg", |
| 500 | "title": "origin", |
| 501 | "desc": "origin" |
| 502 | }, |
| 503 | { |
| 504 | "file": "04_principles.svg", |
| 505 | "title": "principles", |
| 506 | "desc": "principles" |
| 507 | }, |
| 508 | { |
| 509 | "file": "05_figures.svg", |
| 510 | "title": "figures", |
| 511 | "desc": "figures" |
| 512 | }, |
| 513 | { |
| 514 | "file": "06_brockmann.svg", |
| 515 | "title": "brockmann", |
| 516 | "desc": "brockmann" |
| 517 | }, |
| 518 | { |
| 519 | "file": "07_typefaces.svg", |
| 520 | "title": "typefaces", |
| 521 | "desc": "typefaces" |
| 522 | }, |
| 523 | { |
| 524 | "file": "08_grid_types.svg", |
| 525 | "title": "grid types", |
| 526 | "desc": "grid types" |
| 527 | }, |
| 528 | { |
| 529 | "file": "09_modular.svg", |
| 530 | "title": "modular", |
| 531 | "desc": "modular" |
| 532 | }, |
| 533 | { |
| 534 | "file": "10_negative_space.svg", |
| 535 | "title": "negative space", |
| 536 | "desc": "negative space" |
| 537 | }, |
| 538 | { |
| 539 | "file": "11_outputs.svg", |
| 540 | "title": "outputs", |
| 541 | "desc": "outputs" |
| 542 | }, |
| 543 | { |
| 544 | "file": "12_digital_era.svg", |
| 545 | "title": "digital era", |
| 546 | "desc": "digital era" |
| 547 | }, |
| 548 | { |
| 549 | "file": "13_brands.svg", |
| 550 | "title": "brands", |
| 551 | "desc": "brands" |
| 552 | }, |
| 553 | { |
| 554 | "file": "14_closing.svg", |
| 555 | "title": "closing", |
| 556 | "desc": "closing" |
| 557 | } |
| 558 | ] |
| 559 | }, |
| 560 | { |
| 561 | "id": "ppt169_glassmorphism_demo", |
| 562 | "title": "Glassmorphism Demo", |
| 563 | "description": "AI 产品发布 — 毛玻璃质感的现代 SaaS 视觉语言", |
| 564 | "icon": "💎", |
| 565 | "color": "#6366F1", |
| 566 | "style": "general", |
| 567 | "styleName": "Glassmorphism SaaS", |
| 568 | "desc": "AI product launch deck with frosted-glass surfaces, soft gradients, and depth layering — modern SaaS visual language.", |
| 569 | "tags": [ |
| 570 | "SaaS", |
| 571 | "Modern", |
| 572 | "Product Launch" |
| 573 | ], |
| 574 | "isNew": true, |
| 575 | "folder": "ppt169_glassmorphism_demo/svg_final", |
| 576 | "cover": "01_cover.svg", |
| 577 | "slides": [ |
| 578 | { |
| 579 | "file": "01_cover.svg", |
| 580 | "title": "cover", |
| 581 | "desc": "cover" |
| 582 | }, |
| 583 | { |
| 584 | "file": "02_hero_demo_to_prod.svg", |
| 585 | "title": "hero demo to prod", |
| 586 | "desc": "hero demo to prod" |
| 587 | }, |
| 588 | { |
| 589 | "file": "03_three_pains.svg", |
| 590 | "title": "three pains", |
| 591 | "desc": "three pains" |
| 592 | }, |
| 593 | { |
| 594 | "file": "04_agent_architecture.svg", |
| 595 | "title": "agent architecture", |
| 596 | "desc": "agent architecture" |
| 597 | }, |
| 598 | { |
| 599 | "file": "05_three_modes.svg", |
| 600 | "title": "three modes", |
| 601 | "desc": "three modes" |
| 602 | }, |
| 603 | { |
| 604 | "file": "06_tool_orchestration.svg", |
| 605 | "title": "tool orchestration", |
| 606 | "desc": "tool orchestration" |
| 607 | }, |
| 608 | { |
| 609 | "file": "07_context_engineering.svg", |
| 610 | "title": "context engineering", |
| 611 | "desc": "context engineering" |
| 612 | }, |
| 613 | { |
| 614 | "file": "08_kpi_dashboard.svg", |
| 615 | "title": "kpi dashboard", |
| 616 | "desc": "kpi dashboard" |
| 617 | }, |
| 618 | { |
| 619 | "file": "09_metrics_trend.svg", |
| 620 | "title": "metrics trend", |
| 621 | "desc": "metrics trend" |
| 622 | }, |
| 623 | { |
| 624 | "file": "10_failure_modes.svg", |
| 625 | "title": "failure modes", |
| 626 | "desc": "failure modes" |
| 627 | }, |
| 628 | { |
| 629 | "file": "11_roadmap.svg", |
| 630 | "title": "roadmap", |
| 631 | "desc": "roadmap" |
| 632 | }, |
| 633 | { |
| 634 | "file": "12_cta_closing.svg", |
| 635 | "title": "cta closing", |
| 636 | "desc": "cta closing" |
| 637 | } |
| 638 | ] |
| 639 | }, |
| 640 | { |
| 641 | "id": "ppt169_sugar_rush_memphis", |
| 642 | "title": "Sugar Rush Memphis", |
| 643 | "description": "虚构音乐节年度手册 — Memphis 设计运动 + 流行流派 mash-up", |
| 644 | "icon": "🎵", |
| 645 | "color": "#FF4488", |
| 646 | "style": "creative", |
| 647 | "styleName": "Memphis / Pop", |
| 648 | "desc": "Fictional music festival annual book in the Memphis design movement's flat-graphic, hi-saturation style — geometric shapes, terrazzo, 80s typography.", |
| 649 | "tags": [ |
| 650 | "Memphis Design", |
| 651 | "Music Festival", |
| 652 | "Pop" |
| 653 | ], |
| 654 | "isNew": true, |
| 655 | "folder": "ppt169_sugar_rush_memphis/svg_final", |
| 656 | "cover": "01_cover.svg", |
| 657 | "slides": [ |
| 658 | { |
| 659 | "file": "01_cover.svg", |
| 660 | "title": "cover", |
| 661 | "desc": "cover" |
| 662 | }, |
| 663 | { |
| 664 | "file": "02_what.svg", |
| 665 | "title": "what", |
| 666 | "desc": "what" |
| 667 | }, |
| 668 | { |
| 669 | "file": "03_numbers.svg", |
| 670 | "title": "numbers", |
| 671 | "desc": "numbers" |
| 672 | }, |
| 673 | { |
| 674 | "file": "04_principles.svg", |
| 675 | "title": "principles", |
| 676 | "desc": "principles" |
| 677 | }, |
| 678 | { |
| 679 | "file": "05_who.svg", |
| 680 | "title": "who", |
| 681 | "desc": "who" |
| 682 | }, |
| 683 | { |
| 684 | "file": "06_headliners.svg", |
| 685 | "title": "headliners", |
| 686 | "desc": "headliners" |
| 687 | }, |
| 688 | { |
| 689 | "file": "07_flavors.svg", |
| 690 | "title": "flavors", |
| 691 | "desc": "flavors" |
| 692 | }, |
| 693 | { |
| 694 | "file": "08_where.svg", |
| 695 | "title": "where", |
| 696 | "desc": "where" |
| 697 | }, |
| 698 | { |
| 699 | "file": "09_stages.svg", |
| 700 | "title": "stages", |
| 701 | "desc": "stages" |
| 702 | }, |
| 703 | { |
| 704 | "file": "10_schedule.svg", |
| 705 | "title": "schedule", |
| 706 | "desc": "schedule" |
| 707 | }, |
| 708 | { |
| 709 | "file": "11_vibes.svg", |
| 710 | "title": "vibes", |
| 711 | "desc": "vibes" |
| 712 | }, |
| 713 | { |
| 714 | "file": "12_beyond.svg", |
| 715 | "title": "beyond", |
| 716 | "desc": "beyond" |
| 717 | }, |
| 718 | { |
| 719 | "file": "13_tickets.svg", |
| 720 | "title": "tickets", |
| 721 | "desc": "tickets" |
| 722 | }, |
| 723 | { |
| 724 | "file": "14_closing.svg", |
| 725 | "title": "closing", |
| 726 | "desc": "closing" |
| 727 | } |
| 728 | ] |
| 729 | }, |
| 730 | { |
| 731 | "id": "ppt169_indie_bookstore_zine_guide", |
| 732 | "title": "Indie Bookstore Zine Guide", |
| 733 | "description": "独立书店 zine 入门指南 — Risograph 印刷工艺 + DIY 海报美学", |
| 734 | "icon": "📖", |
| 735 | "color": "#E85D75", |
| 736 | "style": "creative", |
| 737 | "styleName": "Risograph Zine", |
| 738 | "desc": "DIY zine-making guide pitched at indie-bookstore audiences, using risograph color separations, halftone textures, and hand-cut poster typography.", |
| 739 | "tags": [ |
| 740 | "Zine", |
| 741 | "Risograph", |
| 742 | "DIY" |
| 743 | ], |
| 744 | "isNew": true, |
| 745 | "folder": "ppt169_indie_bookstore_zine_guide/svg_final", |
| 746 | "cover": "01_cover.svg", |
| 747 | "slides": [ |
| 748 | { |
| 749 | "file": "01_cover.svg", |
| 750 | "title": "cover", |
| 751 | "desc": "cover" |
| 752 | }, |
| 753 | { |
| 754 | "file": "02_toc.svg", |
| 755 | "title": "toc", |
| 756 | "desc": "toc" |
| 757 | }, |
| 758 | { |
| 759 | "file": "03_zine_what.svg", |
| 760 | "title": "zine what", |
| 761 | "desc": "zine what" |
| 762 | }, |
| 763 | { |
| 764 | "file": "04_zine_history.svg", |
| 765 | "title": "zine history", |
| 766 | "desc": "zine history" |
| 767 | }, |
| 768 | { |
| 769 | "file": "05_risograph_origin.svg", |
| 770 | "title": "risograph origin", |
| 771 | "desc": "risograph origin" |
| 772 | }, |
| 773 | { |
| 774 | "file": "06_risograph_process.svg", |
| 775 | "title": "risograph process", |
| 776 | "desc": "risograph process" |
| 777 | }, |
| 778 | { |
| 779 | "file": "07_zine_folding.svg", |
| 780 | "title": "zine folding", |
| 781 | "desc": "zine folding" |
| 782 | }, |
| 783 | { |
| 784 | "file": "08_zine_content_types.svg", |
| 785 | "title": "zine content types", |
| 786 | "desc": "zine content types" |
| 787 | }, |
| 788 | { |
| 789 | "file": "09_jimbocho.svg", |
| 790 | "title": "jimbocho", |
| 791 | "desc": "jimbocho" |
| 792 | }, |
| 793 | { |
| 794 | "file": "10_three_cities.svg", |
| 795 | "title": "three cities", |
| 796 | "desc": "three cities" |
| 797 | }, |
| 798 | { |
| 799 | "file": "11_berlin.svg", |
| 800 | "title": "berlin", |
| 801 | "desc": "berlin" |
| 802 | }, |
| 803 | { |
| 804 | "file": "12_china_bookstore_map.svg", |
| 805 | "title": "china bookstore map", |
| 806 | "desc": "china bookstore map" |
| 807 | }, |
| 808 | { |
| 809 | "file": "13_china_art_book_fair.svg", |
| 810 | "title": "china art book fair", |
| 811 | "desc": "china art book fair" |
| 812 | }, |
| 813 | { |
| 814 | "file": "14_how_to_browse.svg", |
| 815 | "title": "how to browse", |
| 816 | "desc": "how to browse" |
| 817 | }, |
| 818 | { |
| 819 | "file": "15_how_to_collect.svg", |
| 820 | "title": "how to collect", |
| 821 | "desc": "how to collect" |
| 822 | }, |
| 823 | { |
| 824 | "file": "16_action_checklist.svg", |
| 825 | "title": "action checklist", |
| 826 | "desc": "action checklist" |
| 827 | }, |
| 828 | { |
| 829 | "file": "17_sources.svg", |
| 830 | "title": "sources", |
| 831 | "desc": "sources" |
| 832 | }, |
| 833 | { |
| 834 | "file": "18_outro.svg", |
| 835 | "title": "outro", |
| 836 | "desc": "outro" |
| 837 | } |
| 838 | ] |
| 839 | }, |
| 840 | { |
| 841 | "id": "ppt169_kubernetes_blueprint_2026", |
| 842 | "title": "Kubernetes Blueprint 2026", |
| 843 | "description": "Kubernetes 集群架构 10 页讲解 — 工程蓝图等距技术图风", |
| 844 | "icon": "📐", |
| 845 | "color": "#3FB4D9", |
| 846 | "style": "general", |
| 847 | "styleName": "Engineering Blueprint", |
| 848 | "desc": "Ten-page walkthrough of Kubernetes cluster architecture in an isometric engineering-drawing style — blueprint cyan / amber on deep navy paper, hand-authored SVG geometry only. The second of three P0 capability-showcase decks, stressing geometric shape generalization and chart-structure extensibility.", |
| 849 | "tags": [ |
| 850 | "Blueprint", |
| 851 | "Kubernetes", |
| 852 | "Technical Drawing" |
| 853 | ], |
| 854 | "isNew": true, |
| 855 | "folder": "ppt169_kubernetes_blueprint_2026/svg_final", |
| 856 | "cover": "01_cover.svg", |
| 857 | "slides": [ |
| 858 | { |
| 859 | "file": "01_cover.svg", |
| 860 | "title": "cover", |
| 861 | "desc": "cover" |
| 862 | }, |
| 863 | { |
| 864 | "file": "02_two_planes.svg", |
| 865 | "title": "two planes", |
| 866 | "desc": "two planes" |
| 867 | }, |
| 868 | { |
| 869 | "file": "03_control_plane.svg", |
| 870 | "title": "control plane", |
| 871 | "desc": "control plane" |
| 872 | }, |
| 873 | { |
| 874 | "file": "04_worker_node.svg", |
| 875 | "title": "worker node", |
| 876 | "desc": "worker node" |
| 877 | }, |
| 878 | { |
| 879 | "file": "05_pod_lifecycle.svg", |
| 880 | "title": "pod lifecycle", |
| 881 | "desc": "pod lifecycle" |
| 882 | }, |
| 883 | { |
| 884 | "file": "06_service_types.svg", |
| 885 | "title": "service types", |
| 886 | "desc": "service types" |
| 887 | }, |
| 888 | { |
| 889 | "file": "07_storage.svg", |
| 890 | "title": "storage", |
| 891 | "desc": "storage" |
| 892 | }, |
| 893 | { |
| 894 | "file": "08_ha_topology.svg", |
| 895 | "title": "ha topology", |
| 896 | "desc": "ha topology" |
| 897 | }, |
| 898 | { |
| 899 | "file": "09_api_spine.svg", |
| 900 | "title": "api spine", |
| 901 | "desc": "api spine" |
| 902 | }, |
| 903 | { |
| 904 | "file": "10_takeaways.svg", |
| 905 | "title": "takeaways", |
| 906 | "desc": "takeaways" |
| 907 | } |
| 908 | ] |
| 909 | }, |
| 910 | { |
| 911 | "id": "ppt169_high_rise_renewal", |
| 912 | "title": "高层住宅“主动再生”", |
| 913 | "description": "从悉尼到中国 — 高层住宅老化的再生议题，编辑杂志风", |
| 914 | "icon": "🏙️", |
| 915 | "color": "#2D4A5F", |
| 916 | "style": "editorial", |
| 917 | "styleName": "Editorial Magazine", |
| 918 | "desc": "Urban-renewal feature on aging high-rise housing, drawing parallels between Sydney's experience and Chinese cities — in 三联 / 看理想 editorial cadence.", |
| 919 | "tags": [ |
| 920 | "Urban Renewal", |
| 921 | "Editorial", |
| 922 | "Architecture" |
| 923 | ], |
| 924 | "isNew": true, |
| 925 | "folder": "ppt169_high_rise_renewal/svg_final", |
| 926 | "cover": "01_cover.svg", |
| 927 | "slides": [ |
| 928 | { |
| 929 | "file": "01_cover.svg", |
| 930 | "title": "cover", |
| 931 | "desc": "cover" |
| 932 | }, |
| 933 | { |
| 934 | "file": "02_agenda.svg", |
| 935 | "title": "agenda", |
| 936 | "desc": "agenda" |
| 937 | }, |
| 938 | { |
| 939 | "file": "03_warning_fire.svg", |
| 940 | "title": "warning fire", |
| 941 | "desc": "warning fire" |
| 942 | }, |
| 943 | { |
| 944 | "file": "04_aging_highrise.svg", |
| 945 | "title": "aging highrise", |
| 946 | "desc": "aging highrise" |
| 947 | }, |
| 948 | { |
| 949 | "file": "05_pruitt_igoe.svg", |
| 950 | "title": "pruitt igoe", |
| 951 | "desc": "pruitt igoe" |
| 952 | }, |
| 953 | { |
| 954 | "file": "06_chapter_II.svg", |
| 955 | "title": "chapter II", |
| 956 | "desc": "chapter II" |
| 957 | }, |
| 958 | { |
| 959 | "file": "07_quay_quarter.svg", |
| 960 | "title": "quay quarter", |
| 961 | "desc": "quay quarter" |
| 962 | }, |
| 963 | { |
| 964 | "file": "08_eco_data.svg", |
| 965 | "title": "eco data", |
| 966 | "desc": "eco data" |
| 967 | }, |
| 968 | { |
| 969 | "file": "09_shenzhen_mvrdv.svg", |
| 970 | "title": "shenzhen mvrdv", |
| 971 | "desc": "shenzhen mvrdv" |
| 972 | }, |
| 973 | { |
| 974 | "file": "10_shanghai_edition.svg", |
| 975 | "title": "shanghai edition", |
| 976 | "desc": "shanghai edition" |
| 977 | }, |
| 978 | { |
| 979 | "file": "11_one_wall_street.svg", |
| 980 | "title": "one wall street", |
| 981 | "desc": "one wall street" |
| 982 | }, |
| 983 | { |
| 984 | "file": "12_chapter_IV.svg", |
| 985 | "title": "chapter IV", |
| 986 | "desc": "chapter IV" |
| 987 | }, |
| 988 | { |
| 989 | "file": "13_pilot_cases.svg", |
| 990 | "title": "pilot cases", |
| 991 | "desc": "pilot cases" |
| 992 | }, |
| 993 | { |
| 994 | "file": "14_real_difficulty.svg", |
| 995 | "title": "real difficulty", |
| 996 | "desc": "real difficulty" |
| 997 | }, |
| 998 | { |
| 999 | "file": "15_ending.svg", |
| 1000 | "title": "ending", |
| 1001 | "desc": "ending" |
| 1002 | } |
| 1003 | ] |
| 1004 | }, |
| 1005 | { |
| 1006 | "id": "ppt169_cangzhuo", |
| 1007 | "title": "藏拙", |
| 1008 | "description": "《男人最顶级的城府：藏拙》读书分享 — 新中式水墨留白", |
| 1009 | "icon": "🖋️", |
| 1010 | "color": "#2C3E50", |
| 1011 | "style": "creative", |
| 1012 | "styleName": "Chinese Ink Aesthetic", |
| 1013 | "desc": "Reading-share deck on the wisdom of restraint, rendered in ink-wash neutrals with generous whitespace and traditional Chinese typography.", |
| 1014 | "tags": [ |
| 1015 | "Chinese Aesthetic", |
| 1016 | "Editorial", |
| 1017 | "Cultural" |
| 1018 | ], |
| 1019 | "isNew": true, |
| 1020 | "folder": "ppt169_cangzhuo/svg_final", |
| 1021 | "cover": "01_cover.svg", |
| 1022 | "slides": [ |
| 1023 | { |
| 1024 | "file": "01_cover.svg", |
| 1025 | "title": "cover", |
| 1026 | "desc": "cover" |
| 1027 | }, |
| 1028 | { |
| 1029 | "file": "02_引子.svg", |
| 1030 | "title": "引子", |
| 1031 | "desc": "引子" |
| 1032 | }, |
| 1033 | { |
| 1034 | "file": "03_烧烤摊故事.svg", |
| 1035 | "title": "烧烤摊故事", |
| 1036 | "desc": "烧烤摊故事" |
| 1037 | }, |
| 1038 | { |
| 1039 | "file": "04_什么是藏拙.svg", |
| 1040 | "title": "什么是藏拙", |
| 1041 | "desc": "什么是藏拙" |
| 1042 | }, |
| 1043 | { |
| 1044 | "file": "05_木秀于林.svg", |
| 1045 | "title": "木秀于林", |
| 1046 | "desc": "木秀于林" |
| 1047 | }, |
| 1048 | { |
| 1049 | "file": "06_年轻人最易犯的错.svg", |
| 1050 | "title": "年轻人最易犯的错", |
| 1051 | "desc": "年轻人最易犯的错" |
| 1052 | }, |
| 1053 | { |
| 1054 | "file": "07_会藏拙的人怎么做.svg", |
| 1055 | "title": "会藏拙的人怎么做", |
| 1056 | "desc": "会藏拙的人怎么做" |
| 1057 | }, |
| 1058 | { |
| 1059 | "file": "08_韩信.svg", |
| 1060 | "title": "韩信", |
| 1061 | "desc": "韩信" |
| 1062 | }, |
| 1063 | { |
| 1064 | "file": "09_藏拙的高明.svg", |
| 1065 | "title": "藏拙的高明", |
| 1066 | "desc": "藏拙的高明" |
| 1067 | }, |
| 1068 | { |
| 1069 | "file": "10_潜龙勿用.svg", |
| 1070 | "title": "潜龙勿用", |
| 1071 | "desc": "潜龙勿用" |
| 1072 | }, |
| 1073 | { |
| 1074 | "file": "11_藏拙不等于消极避世.svg", |
| 1075 | "title": "藏拙不等于消极避世", |
| 1076 | "desc": "藏拙不等于消极避世" |
| 1077 | }, |
| 1078 | { |
| 1079 | "file": "12_曾国藩.svg", |
| 1080 | "title": "曾国藩", |
| 1081 | "desc": "曾国藩" |
| 1082 | }, |
| 1083 | { |
| 1084 | "file": "13_藏住四件事.svg", |
| 1085 | "title": "藏住四件事", |
| 1086 | "desc": "藏住四件事" |
| 1087 | }, |
| 1088 | { |
| 1089 | "file": "14_结语.svg", |
| 1090 | "title": "结语", |
| 1091 | "desc": "结语" |
| 1092 | } |
| 1093 | ] |
| 1094 | }, |
| 1095 | { |
| 1096 | "id": "ppt169_image_text_showcase", |
| 1097 | "title": "Image-Text Showcase", |
| 1098 | "description": "20种图文组合范式展示 — 每页不同 rendering × palette × 布局", |
| 1099 | "icon": "🎨", |
| 1100 | "color": "#7C6FF7", |
| 1101 | "style": "creative", |
| 1102 | "styleName": "Editorial Showcase", |
| 1103 | "desc": "20 image-text composition patterns — full-bleed hero, Z-pattern, diagonal split, hexagonal cutout, montage with overlay text, and more. Each page demonstrates a distinct rendering × palette combination.", |
| 1104 | "tags": [ |
| 1105 | "Image-Text", |
| 1106 | "Layout Patterns", |
| 1107 | "Visual Reference" |
| 1108 | ], |
| 1109 | "isNew": true, |
| 1110 | "folder": "ppt169_image_text_showcase/svg_final", |
| 1111 | "cover": "01_封面.svg", |
| 1112 | "slides": [ |
| 1113 | { |
| 1114 | "file": "01_封面.svg", |
| 1115 | "title": "封面", |
| 1116 | "desc": "封面" |
| 1117 | }, |
| 1118 | { |
| 1119 | "file": "02_目录.svg", |
| 1120 | "title": "目录", |
| 1121 | "desc": "目录" |
| 1122 | }, |
| 1123 | { |
| 1124 | "file": "03_左图右文.svg", |
| 1125 | "title": "左图右文", |
| 1126 | "desc": "左图右文" |
| 1127 | }, |
| 1128 | { |
| 1129 | "file": "04_右图出血.svg", |
| 1130 | "title": "右图出血", |
| 1131 | "desc": "右图出血" |
| 1132 | }, |
| 1133 | { |
| 1134 | "file": "05_顶图三栏.svg", |
| 1135 | "title": "顶图三栏", |
| 1136 | "desc": "顶图三栏" |
| 1137 | }, |
| 1138 | { |
| 1139 | "file": "06_底图浮文.svg", |
| 1140 | "title": "底图浮文", |
| 1141 | "desc": "底图浮文" |
| 1142 | }, |
| 1143 | { |
| 1144 | "file": "07_Z型蛇形.svg", |
| 1145 | "title": "Z型蛇形", |
| 1146 | "desc": "Z型蛇形" |
| 1147 | }, |
| 1148 | { |
| 1149 | "file": "08_九宫格混排.svg", |
| 1150 | "title": "九宫格混排", |
| 1151 | "desc": "九宫格混排" |
| 1152 | }, |
| 1153 | { |
| 1154 | "file": "09_圆形放射.svg", |
| 1155 | "title": "圆形放射", |
| 1156 | "desc": "圆形放射" |
| 1157 | }, |
| 1158 | { |
| 1159 | "file": "10_底纹密铺.svg", |
| 1160 | "title": "底纹密铺", |
| 1161 | "desc": "底纹密铺" |
| 1162 | }, |
| 1163 | { |
| 1164 | "file": "11_剪纸分层.svg", |
| 1165 | "title": "剪纸分层", |
| 1166 | "desc": "剪纸分层" |
| 1167 | }, |
| 1168 | { |
| 1169 | "file": "12_竖版杂志.svg", |
| 1170 | "title": "竖版杂志", |
| 1171 | "desc": "竖版杂志" |
| 1172 | }, |
| 1173 | { |
| 1174 | "file": "13_对角线分割.svg", |
| 1175 | "title": "对角线分割", |
| 1176 | "desc": "对角线分割" |
| 1177 | }, |
| 1178 | { |
| 1179 | "file": "14_褪色底图大字.svg", |
| 1180 | "title": "褪色底图大字", |
| 1181 | "desc": "褪色底图大字" |
| 1182 | }, |
| 1183 | { |
| 1184 | "file": "15_上文下图.svg", |
| 1185 | "title": "上文下图", |
| 1186 | "desc": "上文下图" |
| 1187 | }, |
| 1188 | { |
| 1189 | "file": "16_中心放射标注.svg", |
| 1190 | "title": "中心放射标注", |
| 1191 | "desc": "中心放射标注" |
| 1192 | }, |
| 1193 | { |
| 1194 | "file": "17_横条贯穿.svg", |
| 1195 | "title": "横条贯穿", |
| 1196 | "desc": "横条贯穿" |
| 1197 | }, |
| 1198 | { |
| 1199 | "file": "18_多边形填缝.svg", |
| 1200 | "title": "多边形填缝", |
| 1201 | "desc": "多边形填缝" |
| 1202 | }, |
| 1203 | { |
| 1204 | "file": "19_蒙太奇拼贴.svg", |
| 1205 | "title": "蒙太奇拼贴", |
| 1206 | "desc": "蒙太奇拼贴" |
| 1207 | }, |
| 1208 | { |
| 1209 | "file": "20_黑板收场.svg", |
| 1210 | "title": "黑板收场", |
| 1211 | "desc": "黑板收场" |
| 1212 | } |
| 1213 | ] |
| 1214 | }, |
| 1215 | { |
| 1216 | "id": "ppt169_building_effective_agents", |
| 1217 | "title": "Building Effective Agents", |
| 1218 | "description": "Anthropic 工程博客的 AI Agent 架构与工作流模式解析", |
| 1219 | "icon": "🤖", |
| 1220 | "color": "#D4845A", |
| 1221 | "style": "general", |
| 1222 | "styleName": "General + Dark Tech", |
| 1223 | "desc": "Based on Anthropic's Building Effective Agents — augmented LLM、五类 workflow pattern 与 autonomous agent 实践。", |
| 1224 | "tags": [ |
| 1225 | "Dark Theme", |
| 1226 | "AI/ML", |
| 1227 | "Anthropic" |
| 1228 | ], |
| 1229 | "isNew": false, |
| 1230 | "folder": "ppt169_building_effective_agents/svg_final", |
| 1231 | "cover": "01_cover.svg", |
| 1232 | "slides": [ |
| 1233 | { |
| 1234 | "file": "01_cover.svg", |
| 1235 | "title": "Cover", |
| 1236 | "desc": "Cover" |
| 1237 | }, |
| 1238 | { |
| 1239 | "file": "02_what_are_agents.svg", |
| 1240 | "title": "What Are Agents", |
| 1241 | "desc": "What Are Agents" |
| 1242 | }, |
| 1243 | { |
| 1244 | "file": "03_when_to_use_agents.svg", |
| 1245 | "title": "When To Use Agents", |
| 1246 | "desc": "When To Use Agents" |
| 1247 | }, |
| 1248 | { |
| 1249 | "file": "04_augmented_llm.svg", |
| 1250 | "title": "Augmented Llm", |
| 1251 | "desc": "Augmented Llm" |
| 1252 | }, |
| 1253 | { |
| 1254 | "file": "05_prompt_chaining.svg", |
| 1255 | "title": "Prompt Chaining", |
| 1256 | "desc": "Prompt Chaining" |
| 1257 | }, |
| 1258 | { |
| 1259 | "file": "06_routing.svg", |
| 1260 | "title": "Routing", |
| 1261 | "desc": "Routing" |
| 1262 | }, |
| 1263 | { |
| 1264 | "file": "07_parallelization.svg", |
| 1265 | "title": "Parallelization", |
| 1266 | "desc": "Parallelization" |
| 1267 | }, |
| 1268 | { |
| 1269 | "file": "08_orchestrator_workers.svg", |
| 1270 | "title": "Orchestrator Workers", |
| 1271 | "desc": "Orchestrator Workers" |
| 1272 | }, |
| 1273 | { |
| 1274 | "file": "09_evaluator_optimizer.svg", |
| 1275 | "title": "Evaluator Optimizer", |
| 1276 | "desc": "Evaluator Optimizer" |
| 1277 | }, |
| 1278 | { |
| 1279 | "file": "10_agents.svg", |
| 1280 | "title": "Agents", |
| 1281 | "desc": "Agents" |
| 1282 | }, |
| 1283 | { |
| 1284 | "file": "11_agents_in_practice.svg", |
| 1285 | "title": "Agents In Practice", |
| 1286 | "desc": "Agents In Practice" |
| 1287 | }, |
| 1288 | { |
| 1289 | "file": "12_summary.svg", |
| 1290 | "title": "Summary", |
| 1291 | "desc": "Summary" |
| 1292 | } |
| 1293 | ] |
| 1294 | }, |
| 1295 | { |
| 1296 | "id": "ppt169_fashion_weekly_digest", |
| 1297 | "title": "时尚美学周鉴", |
| 1298 | "description": "奢侈品与生活方式品牌新闻的杂志化周报", |
| 1299 | "icon": "✨", |
| 1300 | "color": "#C9A96E", |
| 1301 | "style": "editorial", |
| 1302 | "styleName": "Luxury Editorial", |
| 1303 | "desc": "覆盖 Hermès、CHANEL、Dior、Louis Vuitton、Gucci 等品牌动态的高端杂志编辑风周报。", |
| 1304 | "tags": [ |
| 1305 | "Luxury", |
| 1306 | "Fashion", |
| 1307 | "杂志风" |
| 1308 | ], |
| 1309 | "isNew": false, |
| 1310 | "folder": "ppt169_fashion_weekly_digest/svg_final", |
| 1311 | "cover": "01_封面.svg", |
| 1312 | "slides": [ |
| 1313 | { |
| 1314 | "file": "01_封面.svg", |
| 1315 | "title": "封面", |
| 1316 | "desc": "封面" |
| 1317 | }, |
| 1318 | { |
| 1319 | "file": "02_爱马仕家居.svg", |
| 1320 | "title": "爱马仕家居", |
| 1321 | "desc": "爱马仕家居" |
| 1322 | }, |
| 1323 | { |
| 1324 | "file": "03_香奈儿海滩.svg", |
| 1325 | "title": "香奈儿海滩", |
| 1326 | "desc": "香奈儿海滩" |
| 1327 | }, |
| 1328 | { |
| 1329 | "file": "04_迪奥双面.svg", |
| 1330 | "title": "迪奥双面", |
| 1331 | "desc": "迪奥双面" |
| 1332 | }, |
| 1333 | { |
| 1334 | "file": "05_路易威登家居.svg", |
| 1335 | "title": "路易威登家居", |
| 1336 | "desc": "路易威登家居" |
| 1337 | }, |
| 1338 | { |
| 1339 | "file": "06_古驰记忆.svg", |
| 1340 | "title": "古驰记忆", |
| 1341 | "desc": "古驰记忆" |
| 1342 | }, |
| 1343 | { |
| 1344 | "file": "07_珠宝灵韵.svg", |
| 1345 | "title": "珠宝灵韵", |
| 1346 | "desc": "珠宝灵韵" |
| 1347 | }, |
| 1348 | { |
| 1349 | "file": "08_艺术表达.svg", |
| 1350 | "title": "艺术表达", |
| 1351 | "desc": "艺术表达" |
| 1352 | }, |
| 1353 | { |
| 1354 | "file": "09_传承新章.svg", |
| 1355 | "title": "传承新章", |
| 1356 | "desc": "传承新章" |
| 1357 | }, |
| 1358 | { |
| 1359 | "file": "10_结构重塑.svg", |
| 1360 | "title": "结构重塑", |
| 1361 | "desc": "结构重塑" |
| 1362 | }, |
| 1363 | { |
| 1364 | "file": "11_感官新篇.svg", |
| 1365 | "title": "感官新篇", |
| 1366 | "desc": "感官新篇" |
| 1367 | }, |
| 1368 | { |
| 1369 | "file": "12_跨界新风.svg", |
| 1370 | "title": "跨界新风", |
| 1371 | "desc": "跨界新风" |
| 1372 | }, |
| 1373 | { |
| 1374 | "file": "13_潮流共振.svg", |
| 1375 | "title": "潮流共振", |
| 1376 | "desc": "潮流共振" |
| 1377 | }, |
| 1378 | { |
| 1379 | "file": "14_亮点回顾.svg", |
| 1380 | "title": "亮点回顾", |
| 1381 | "desc": "亮点回顾" |
| 1382 | }, |
| 1383 | { |
| 1384 | "file": "15_品牌全景.svg", |
| 1385 | "title": "品牌全景", |
| 1386 | "desc": "品牌全景" |
| 1387 | }, |
| 1388 | { |
| 1389 | "file": "16_结尾.svg", |
| 1390 | "title": "结尾", |
| 1391 | "desc": "结尾" |
| 1392 | } |
| 1393 | ] |
| 1394 | }, |
| 1395 | { |
| 1396 | "id": "ppt169_home_design_trends_2026", |
| 1397 | "title": "2026 家居设计趋势", |
| 1398 | "description": "杂志编辑风的家居色彩、材质与纹理趋势解析", |
| 1399 | "icon": "🏠", |
| 1400 | "color": "#C4A882", |
| 1401 | "style": "general", |
| 1402 | "styleName": "Magazine Editorial", |
| 1403 | "desc": "从色彩、材质、纹理到 CMT 体系，解读 2026 家居设计趋势与可持续奢华。", |
| 1404 | "tags": [ |
| 1405 | "家居设计", |
| 1406 | "杂志风", |
| 1407 | "CMT" |
| 1408 | ], |
| 1409 | "isNew": false, |
| 1410 | "folder": "ppt169_home_design_trends_2026/svg_final", |
| 1411 | "cover": "01_封面.svg", |
| 1412 | "slides": [ |
| 1413 | { |
| 1414 | "file": "01_封面.svg", |
| 1415 | "title": "封面", |
| 1416 | "desc": "封面" |
| 1417 | }, |
| 1418 | { |
| 1419 | "file": "02_从网红风到人的尺度.svg", |
| 1420 | "title": "从网红风到人的尺度", |
| 1421 | "desc": "从网红风到人的尺度" |
| 1422 | }, |
| 1423 | { |
| 1424 | "file": "03_色彩情绪魔法师.svg", |
| 1425 | "title": "色彩情绪魔法师", |
| 1426 | "desc": "色彩情绪魔法师" |
| 1427 | }, |
| 1428 | { |
| 1429 | "file": "04_冷暖色调对比.svg", |
| 1430 | "title": "冷暖色调对比", |
| 1431 | "desc": "冷暖色调对比" |
| 1432 | }, |
| 1433 | { |
| 1434 | "file": "05_材质空间语言.svg", |
| 1435 | "title": "材质空间语言", |
| 1436 | "desc": "材质空间语言" |
| 1437 | }, |
| 1438 | { |
| 1439 | "file": "06_纹理空间灵魂.svg", |
| 1440 | "title": "纹理空间灵魂", |
| 1441 | "desc": "纹理空间灵魂" |
| 1442 | }, |
| 1443 | { |
| 1444 | "file": "07_CMT体系.svg", |
| 1445 | "title": "CMT体系", |
| 1446 | "desc": "CMT体系" |
| 1447 | }, |
| 1448 | { |
| 1449 | "file": "08_奶油风进化论.svg", |
| 1450 | "title": "奶油风进化论", |
| 1451 | "desc": "奶油风进化论" |
| 1452 | }, |
| 1453 | { |
| 1454 | "file": "09_波西米亚与复古.svg", |
| 1455 | "title": "波西米亚与复古", |
| 1456 | "desc": "波西米亚与复古" |
| 1457 | }, |
| 1458 | { |
| 1459 | "file": "10_可持续奢华.svg", |
| 1460 | "title": "可持续奢华", |
| 1461 | "desc": "可持续奢华" |
| 1462 | }, |
| 1463 | { |
| 1464 | "file": "11_书籍推荐.svg", |
| 1465 | "title": "书籍推荐", |
| 1466 | "desc": "书籍推荐" |
| 1467 | }, |
| 1468 | { |
| 1469 | "file": "12_结语.svg", |
| 1470 | "title": "结语", |
| 1471 | "desc": "结语" |
| 1472 | } |
| 1473 | ] |
| 1474 | }, |
| 1475 | { |
| 1476 | "id": "ppt169_kimsoong_loyalty_programme", |
| 1477 | "title": "Kimsoong Loyalty Programme", |
| 1478 | "description": "MBB 风格汽车品牌客户忠诚度战略提案", |
| 1479 | "icon": "💎", |
| 1480 | "color": "#E8A838", |
| 1481 | "style": "consulting", |
| 1482 | "styleName": "Top Consulting", |
| 1483 | "desc": "面向 Kimsoong 欧洲总部的客户忠诚度战略提案，覆盖根因分析、四支柱策略与实施路线图。", |
| 1484 | "tags": [ |
| 1485 | "MBB 级", |
| 1486 | "Loyalty", |
| 1487 | "Automotive" |
| 1488 | ], |
| 1489 | "isNew": false, |
| 1490 | "folder": "ppt169_kimsoong_loyalty_programme/svg_final", |
| 1491 | "cover": "slide_01_cover.svg", |
| 1492 | "slides": [ |
| 1493 | { |
| 1494 | "file": "slide_01_cover.svg", |
| 1495 | "title": "Cover", |
| 1496 | "desc": "Cover" |
| 1497 | }, |
| 1498 | { |
| 1499 | "file": "slide_02_critical_challenge.svg", |
| 1500 | "title": "Critical Challenge", |
| 1501 | "desc": "Critical Challenge" |
| 1502 | }, |
| 1503 | { |
| 1504 | "file": "slide_03_company_profile.svg", |
| 1505 | "title": "Company Profile", |
| 1506 | "desc": "Company Profile" |
| 1507 | }, |
| 1508 | { |
| 1509 | "file": "slide_04_customer_profile.svg", |
| 1510 | "title": "Customer Profile", |
| 1511 | "desc": "Customer Profile" |
| 1512 | }, |
| 1513 | { |
| 1514 | "file": "slide_05_priorities_gap.svg", |
| 1515 | "title": "Priorities Gap", |
| 1516 | "desc": "Priorities Gap" |
| 1517 | }, |
| 1518 | { |
| 1519 | "file": "slide_06_root_cause.svg", |
| 1520 | "title": "Root Cause", |
| 1521 | "desc": "Root Cause" |
| 1522 | }, |
| 1523 | { |
| 1524 | "file": "slide_07_strategic_pillars.svg", |
| 1525 | "title": "Strategic Pillars", |
| 1526 | "desc": "Strategic Pillars" |
| 1527 | }, |
| 1528 | { |
| 1529 | "file": "slide_08_initiatives.svg", |
| 1530 | "title": "Initiatives", |
| 1531 | "desc": "Initiatives" |
| 1532 | }, |
| 1533 | { |
| 1534 | "file": "slide_09_roadmap.svg", |
| 1535 | "title": "Roadmap", |
| 1536 | "desc": "Roadmap" |
| 1537 | }, |
| 1538 | { |
| 1539 | "file": "slide_10_conclusion.svg", |
| 1540 | "title": "Conclusion", |
| 1541 | "desc": "Conclusion" |
| 1542 | } |
| 1543 | ] |
| 1544 | }, |
| 1545 | { |
| 1546 | "id": "ppt169_lin_huiyin_architect", |
| 1547 | "title": "林徽因：当之无愧的建筑师", |
| 1548 | "description": "深色建筑人文纪念风的林徽因建筑贡献梳理", |
| 1549 | "icon": "🏛️", |
| 1550 | "color": "#C9A96E", |
| 1551 | "style": "editorial", |
| 1552 | "styleName": "建筑人文纪念", |
| 1553 | "desc": "从建筑实践、国家纪念碑到学术论文，重新审视林徽因作为建筑师的专业贡献。", |
| 1554 | "tags": [ |
| 1555 | "建筑史", |
| 1556 | "人文", |
| 1557 | "深色主题" |
| 1558 | ], |
| 1559 | "isNew": false, |
| 1560 | "folder": "ppt169_lin_huiyin_architect/svg_final", |
| 1561 | "cover": "01_封面.svg", |
| 1562 | "slides": [ |
| 1563 | { |
| 1564 | "file": "01_封面.svg", |
| 1565 | "title": "封面", |
| 1566 | "desc": "封面" |
| 1567 | }, |
| 1568 | { |
| 1569 | "file": "02_人生轨迹.svg", |
| 1570 | "title": "人生轨迹", |
| 1571 | "desc": "人生轨迹" |
| 1572 | }, |
| 1573 | { |
| 1574 | "file": "03_归国初期建筑实践.svg", |
| 1575 | "title": "归国初期建筑实践", |
| 1576 | "desc": "归国初期建筑实践" |
| 1577 | }, |
| 1578 | { |
| 1579 | "file": "04_战火中的建筑理想.svg", |
| 1580 | "title": "战火中的建筑理想", |
| 1581 | "desc": "战火中的建筑理想" |
| 1582 | }, |
| 1583 | { |
| 1584 | "file": "05_国之重器.svg", |
| 1585 | "title": "国之重器", |
| 1586 | "desc": "国之重器" |
| 1587 | }, |
| 1588 | { |
| 1589 | "file": "06_首篇建筑论文.svg", |
| 1590 | "title": "首篇建筑论文", |
| 1591 | "desc": "首篇建筑论文" |
| 1592 | }, |
| 1593 | { |
| 1594 | "file": "07_学术贡献一览.svg", |
| 1595 | "title": "学术贡献一览", |
| 1596 | "desc": "学术贡献一览" |
| 1597 | }, |
| 1598 | { |
| 1599 | "file": "08_穿越战火的建筑斗士.svg", |
| 1600 | "title": "穿越战火的建筑斗士", |
| 1601 | "desc": "穿越战火的建筑斗士" |
| 1602 | }, |
| 1603 | { |
| 1604 | "file": "09_当之无愧的建筑师.svg", |
| 1605 | "title": "当之无愧的建筑师", |
| 1606 | "desc": "当之无愧的建筑师" |
| 1607 | }, |
| 1608 | { |
| 1609 | "file": "10_结尾.svg", |
| 1610 | "title": "结尾", |
| 1611 | "desc": "结尾" |
| 1612 | } |
| 1613 | ] |
| 1614 | }, |
| 1615 | { |
| 1616 | "id": "ppt169_lin_huiyin_architect_revised", |
| 1617 | "title": "重识林徽因建筑师身份", |
| 1618 | "description": "浅色博物馆展陈风的林徽因建筑贡献修订版", |
| 1619 | "icon": "🏛️", |
| 1620 | "color": "#A44A3F", |
| 1621 | "style": "editorial", |
| 1622 | "styleName": "博物馆展陈风", |
| 1623 | "desc": "以浅色展陈图录方式重构同一主题，强调建筑现场、国家尺度参与与方法论远见。", |
| 1624 | "tags": [ |
| 1625 | "建筑史", |
| 1626 | "展陈图录", |
| 1627 | "修订版" |
| 1628 | ], |
| 1629 | "isNew": false, |
| 1630 | "folder": "ppt169_lin_huiyin_architect_revised/svg_final", |
| 1631 | "cover": "01_封面.svg", |
| 1632 | "slides": [ |
| 1633 | { |
| 1634 | "file": "01_封面.svg", |
| 1635 | "title": "封面", |
| 1636 | "desc": "封面" |
| 1637 | }, |
| 1638 | { |
| 1639 | "file": "02_为什么今天要重识林徽因.svg", |
| 1640 | "title": "为什么今天要重识林徽因", |
| 1641 | "desc": "为什么今天要重识林徽因" |
| 1642 | }, |
| 1643 | { |
| 1644 | "file": "03_建筑实践并不缺席.svg", |
| 1645 | "title": "建筑实践并不缺席", |
| 1646 | "desc": "建筑实践并不缺席" |
| 1647 | }, |
| 1648 | { |
| 1649 | "file": "04_作品现场：建筑不是抽象名词.svg", |
| 1650 | "title": "作品现场：建筑不是抽象名词", |
| 1651 | "desc": "作品现场：建筑不是抽象名词" |
| 1652 | }, |
| 1653 | { |
| 1654 | "file": "05_国家尺度上的建筑参与.svg", |
| 1655 | "title": "国家尺度上的建筑参与", |
| 1656 | "desc": "国家尺度上的建筑参与" |
| 1657 | }, |
| 1658 | { |
| 1659 | "file": "06_她不是辅助者，而是理论提出者.svg", |
| 1660 | "title": "她不是辅助者，而是理论提出者", |
| 1661 | "desc": "她不是辅助者，而是理论提出者" |
| 1662 | }, |
| 1663 | { |
| 1664 | "file": "07_学科、方法与远见.svg", |
| 1665 | "title": "学科、方法与远见", |
| 1666 | "desc": "学科、方法与远见" |
| 1667 | }, |
| 1668 | { |
| 1669 | "file": "08_她如何穿过战火与病痛.svg", |
| 1670 | "title": "她如何穿过战火与病痛", |
| 1671 | "desc": "她如何穿过战火与病痛" |
| 1672 | }, |
| 1673 | { |
| 1674 | "file": "09_结尾.svg", |
| 1675 | "title": "结尾", |
| 1676 | "desc": "结尾" |
| 1677 | } |
| 1678 | ] |
| 1679 | }, |
| 1680 | { |
| 1681 | "id": "ppt169_liziqi_plant_dye_colors", |
| 1682 | "title": "李子柒植物染色彩", |
| 1683 | "description": "东方文化叙事下的传统色与植物染研究", |
| 1684 | "icon": "🌿", |
| 1685 | "color": "#6B9AAE", |
| 1686 | "style": "editorial", |
| 1687 | "styleName": "东方文化叙事", |
| 1688 | "desc": "围绕李子柒春晚战袍背后的传统中国色，讲述五正色、植物染、诗意色名与手作疗愈。", |
| 1689 | "tags": [ |
| 1690 | "传统色", |
| 1691 | "植物染", |
| 1692 | "东方美学" |
| 1693 | ], |
| 1694 | "isNew": false, |
| 1695 | "folder": "ppt169_liziqi_plant_dye_colors/svg_final", |
| 1696 | "cover": "01_cover.svg", |
| 1697 | "slides": [ |
| 1698 | { |
| 1699 | "file": "01_cover.svg", |
| 1700 | "title": "Cover", |
| 1701 | "desc": "Cover" |
| 1702 | }, |
| 1703 | { |
| 1704 | "file": "02_intro.svg", |
| 1705 | "title": "Intro", |
| 1706 | "desc": "Intro" |
| 1707 | }, |
| 1708 | { |
| 1709 | "file": "03_zhanpao_decode.svg", |
| 1710 | "title": "Zhanpao Decode", |
| 1711 | "desc": "Zhanpao Decode" |
| 1712 | }, |
| 1713 | { |
| 1714 | "file": "04_history.svg", |
| 1715 | "title": "History", |
| 1716 | "desc": "History" |
| 1717 | }, |
| 1718 | { |
| 1719 | "file": "05_natural_colors_1.svg", |
| 1720 | "title": "Natural Colors 1", |
| 1721 | "desc": "Natural Colors 1" |
| 1722 | }, |
| 1723 | { |
| 1724 | "file": "06_natural_colors_2.svg", |
| 1725 | "title": "Natural Colors 2", |
| 1726 | "desc": "Natural Colors 2" |
| 1727 | }, |
| 1728 | { |
| 1729 | "file": "07_poetic_colors_1.svg", |
| 1730 | "title": "Poetic Colors 1", |
| 1731 | "desc": "Poetic Colors 1" |
| 1732 | }, |
| 1733 | { |
| 1734 | "file": "08_poetic_colors_2.svg", |
| 1735 | "title": "Poetic Colors 2", |
| 1736 | "desc": "Poetic Colors 2" |
| 1737 | }, |
| 1738 | { |
| 1739 | "file": "09_dye_plants.svg", |
| 1740 | "title": "Dye Plants", |
| 1741 | "desc": "Dye Plants" |
| 1742 | }, |
| 1743 | { |
| 1744 | "file": "10_diy_dyeing.svg", |
| 1745 | "title": "Diy Dyeing", |
| 1746 | "desc": "Diy Dyeing" |
| 1747 | }, |
| 1748 | { |
| 1749 | "file": "11_xuetaojian.svg", |
| 1750 | "title": "Xuetaojian", |
| 1751 | "desc": "Xuetaojian" |
| 1752 | }, |
| 1753 | { |
| 1754 | "file": "12_ending.svg", |
| 1755 | "title": "Ending", |
| 1756 | "desc": "Ending" |
| 1757 | } |
| 1758 | ] |
| 1759 | }, |
| 1760 | { |
| 1761 | "id": "ppt169_general_dark_tech_claude_code_auto_mode", |
| 1762 | "title": "Claude Code Auto Mode", |
| 1763 | "description": "Anthropic AI safety engineering — classifier-based permissions", |
| 1764 | "icon": "🛡️", |
| 1765 | "color": "#D4A574", |
| 1766 | "style": "general", |
| 1767 | "styleName": "General + Dark Tech", |
| 1768 | "desc": "Based on Anthropic's engineering blog — classifier-based permission system for safer autonomous coding.", |
| 1769 | "tags": [ |
| 1770 | "Dark Theme", |
| 1771 | "AI Safety", |
| 1772 | "Anthropic" |
| 1773 | ], |
| 1774 | "isNew": false, |
| 1775 | "folder": "ppt169_general_dark_tech_claude_code_auto_mode/svg_final", |
| 1776 | "cover": "01_cover.svg", |
| 1777 | "slides": [ |
| 1778 | { |
| 1779 | "file": "01_cover.svg", |
| 1780 | "title": "Cover", |
| 1781 | "desc": "Claude Code Auto Mode" |
| 1782 | }, |
| 1783 | { |
| 1784 | "file": "02_approval_fatigue.svg", |
| 1785 | "title": "Approval Fatigue", |
| 1786 | "desc": "93% approval rate problem" |
| 1787 | }, |
| 1788 | { |
| 1789 | "file": "03_auto_mode.svg", |
| 1790 | "title": "Auto Mode", |
| 1791 | "desc": "Classifier-delegated approvals" |
| 1792 | }, |
| 1793 | { |
| 1794 | "file": "04_architecture.svg", |
| 1795 | "title": "Architecture", |
| 1796 | "desc": "Two layers of defense" |
| 1797 | }, |
| 1798 | { |
| 1799 | "file": "05_threat_model.svg", |
| 1800 | "title": "Threat Model", |
| 1801 | "desc": "Four threat categories" |
| 1802 | }, |
| 1803 | { |
| 1804 | "file": "06_permissions.svg", |
| 1805 | "title": "Permissions", |
| 1806 | "desc": "Three-tier permission system" |
| 1807 | }, |
| 1808 | { |
| 1809 | "file": "07_classifier.svg", |
| 1810 | "title": "Classifier", |
| 1811 | "desc": "Reasoning-blind by design" |
| 1812 | }, |
| 1813 | { |
| 1814 | "file": "08_results.svg", |
| 1815 | "title": "Results", |
| 1816 | "desc": "Evaluation metrics" |
| 1817 | }, |
| 1818 | { |
| 1819 | "file": "09_design_decisions.svg", |
| 1820 | "title": "Design Decisions", |
| 1821 | "desc": "Key engineering choices" |
| 1822 | }, |
| 1823 | { |
| 1824 | "file": "10_closing.svg", |
| 1825 | "title": "Closing", |
| 1826 | "desc": "Substantially safer" |
| 1827 | } |
| 1828 | ] |
| 1829 | } |
| 1830 | ] |
| 1831 | } |
| 1832 |