| 1 | - **Dynamic Shots**: |
| 2 | - **Zoom Shot**: Appears to move closer to the subject, following a Long Shot. |
| 3 | - **Usage Condition**: |
| 4 | 1. When the character is talking, gradually focus on the character. |
| 5 | 2. When the character is talking, highlight key comedic or dramatic moment. |
| 6 | - **Pan Shot**: Pivots horizontally from a fixed position to track character movement. |
| 7 | - **Usage Condition**: |
| 8 | 1. When the character is talking, use this shot multiple times in a row to create a tense atmosphere. |
| 9 | 2. When the character is moving, use this shot to display both the character and surroundings. |
| 10 | - **Follow Shot**: Continuously follows a moving character. |
| 11 | - **Usage Condition**: This shot can only be used when the character is moving, immersing the audience in the character's perspective during movement. |
| 12 | - **360 Degrees Shot**: Circles completely around a standing character. |
| 13 | - **Usage Condition**: |
| 14 | 1. This shot can be used when the character first appears in the script. |
| 15 | 2. When the character is talking, create unease and heighten scene tension. |
| 16 | - **Curve Surround Shot**: Moves from the character's feet to head, with the character standing. |
| 17 | - **Usage Condition**: This shot can only be used when the character first appears in the script. |
| 18 | - **Track Shot**: Switches dynamically between long shots. |
| 19 | - **Usage Condition**: This shot can only be used in the opening shot of each scene to showcase characters and their environments. |
| 20 | |
| 21 | - **Static Shots**: |
| 22 | - **Long Shot**: Displays the entire scene. |
| 23 | - **Usage Condition**: Providing background and showing interactions during dialogue. |
| 24 | - **Close Shot**: Focuses on the upper body of a character. |
| 25 | - **Usage Condition**: Captures the character's emotions during dialogue. |
| 26 | - **Mid Shot**: Captures the full body of a character. |
| 27 | - **Usage Condition**: Showcasing body language and interactions. |
| 28 |